Wednesday, April 25, 2007

President of ABC



On February 20, 07 Alex Wallau, the president of ABC, came to speak to my comm. 310 class about Television . Specifically he discussed how much TV programming has evolved and where it is headed. Mainly his focus was on ABC, the number one top rated Network channel. He presented many interesting points about Homosexuality in the media, the coverage of the Iraq War, advertising and other areas of discussion.

Mr.Wallau was questioned about the sexually explicit content on ABC. Specifically, two shows – Brothers and Sisters AND Desperate Housewives. Brothers and Sisters featured two homosexual males engaging in multiple “meaningful” kisses. This is not something the network had agreed with 5-10 years ago. However, Wallau said that the content on their shows is regulated strictly in order to ensure a positive advertising arena. Desperate Housewives has also been criticized lately as being too prevocative. Wallau said that until advertisers start complaining the show would continue as is. He also stated that the show is not at 6 o’clock but at 9oclock and is for an adult audience.

Wallua also talked about the unstable situation in Iraq, which restrains ABC’s ability to report first hand. The network is unable to send reporters there to document the occurrences so they must depend on other sources. However these sources do not provide enough information on the war. This is an area the Network lacks in.

The whole class was very interesting but the most interesting point was in regards to diversity. More than ever, ABC features shows with diverse characters. For example, Lost and Grey’s Anatomy have one of the most diverse castings in network television. An African American wrote Grey’s Anatomy, the number one show on television. Wallau stated that the reason for its diversity is that she wrote the story so that the 1st 2nd and 4th ranking doctors are Black. The show also features Hispanics and Asians. Lost also is a very diverse show. According to Wallau that was because it is so convenient that people with different races and ethnic backgrounds to be on a plane together. Unlike comedies, which Wallau said are the hardest genre to create a diverse cast for.

Overall, the president of ABC, Alex Wallau was a very interesting and informative speaker who related to our class well.

A Letter Addressing The Axe Underwear Commercial




Advertising not only speaks to consumers in a language of desire and need but also sets up people’s perceptions of how things are or should be. In the past decade or so, advertising agencies have become less responsible to consumers by portraying unattainable perfection. As the representatives of a product that has become infiltrated into the lives of our youth, your company must rethink the ad campaign for Axe Underwear. The current ad goes beyond the boundaries of acceptable and moral advertising, by portraying women as sex driven objects, illustrating the male “loser,” and is overall a sexually pervasive ad.
This commercial for Axe underwear made me question how unrealistic gender roles and sexually explicit content could be taken this far in order to increase the financial growth of an already successful company. This commercial is harmfully appealing to its viewers because it deals with what is known as the “Gaze”; which is the relationship between the person looking and the person being looked at. This commercial reveals this “gaze” towards both the male and female characters of the commercial. First, the male is looked upon as a conquest for the female, who is turning circles around him and examining every inch of his body. However, since he is “confronting the gaze” with an “authoritarian pose,” he is not seen as being objectified. When people compare this commercial to other commercials with reverse roles, it is easy to see that the gaze of a man objectifies the women. Although the commercial has reversed the roles of the gaze, it still attempts “to sell products through traditional gender codes, by portraying [the woman] in demure, seductive poses for a possessive male gaze” (90). It is true that the woman is doing the looking, however the effect of the gaze is caused by how the male responds to the gaze. He remains confident, masculine and authoritarian, and still grasps control of the power. Therefore the woman, despite her attempts, is the one who is left powerless to the gaze.
The message that ads send to the youth about gender roles is an important component that often times is disregarded. Some might say that this commercial is representing the woman as the one who is powerful and in control, however this is not the case. “[F]eminism is taken into account, but only to be shown that it is no longer necessary, because there is no exploitation here, there is nothing remotely naïve … but it is for her own enjoyment” (McRobbie, 8). This post-feminist view directly applies to the Axe Underwear commercial. People often think that if a commercial is illustrating a woman in a sexually explicit way that it is not being sexist but is illustrating her freedom of choice. Instead, this depiction of so called “freedom of choice” leads most people to assume that women often times ask for “it.” This leads women to believe that they should constantly be sexual and fierce, and consequently leads men to think that all women are always driven by sex. As McRobbie stated, women are entitled to “female pleasure” but do not go around hunting down men, which is often the portrayal of women in Axe advertisements.
Lastly, I believe that this commercial also plays on male insecurities and illustrates what Messner refers to as the “male loser.” Most other underwear commercials focus on the selection of a specific brand in order to increase the size of a man’s most important asset (or so they are told). I understand how the Axe underwear commercial is mocking all other commercials of its genre, by illustrating an illusion of size. However, if this commercial is to play a role in the effect of advertising on society, our male population is in trouble.
At first the “male loser” is portrayed as a confident, authoritative figure whose body is being grazed from his chest to his underwear. However, as her hand goes down beyond the view of the camera, his “loser”-ness becomes apparent. Messner’s “male loser” refers to men who “are publicly being humiliated, either by their own stupidity, by other men or worse, by a beautiful woman” (1887). This specific commercial deals with the worst-case scenario for the “male loser” – being humiliated by this “sexualized fantasy object” (Messner, 1887). The male character in the commercial at first seems confident and sexy. However, as the woman’s hand reaches down, a clip is shown of his underwear being pulled on by the female, to create an illusion of an extremely large erect penis. Up until this point the male figure is portrayed in a dominant, exaggerated way, however what happens afterwards is crucial to the influence of this ad. The underwear is let go of and the “extremely large penis” doesn’t look so large anymore, and the male is left with a look of embarrassment. This scene from the ad emphasizes that these women “sometimes serve to validate men’s masculinity,” but also that “if men get to close, these women will most likely humiliate them” (Messner, 1906). Up until the point that the woman lets go of the underwear she is pulling, his masculinity is being validated. However ironically, as she lets go, his masculinity along with the size of his penis diminishes – he becomes the “male loser”. The female’s shocked reaction to how small his penis is, also adds to the “loser-”ness of the male.
This commercial, along with similar messages in our media lead men to think that if they don’t meet the standards of perfection, then they become a “loser.” Through repeated depictions of male perfection, or the obvious lack thereof, men either realize they can never reach true perfection and begin to settle for less or never realize it and constantly strive to perfect their flaws. Consequently, it creates characteristics of insecurity and unhappiness in men.
It is ultimately the responsibility of large corporate companies such as yourself, to undo this new trend of the promotion of idealized perfection. The Axe underwear commercial is unacceptable and gives our youth unrealistic perceptions of aesthetics, behaviors and an overall idealized lifestyle. I urge you to not only take this commercial off television, but to also consider formulating a new ad campaign for all Axe products.

Reply to Age of Persuasion

http://www.oreillyradio.com/?p=23#comments

I agree…
when a generation is exposed to a brand at a young age, a connection is made. Psychologically and emotionally that group of people builds a connection with the brand. For example, a new division of Disney merchandising, Disney couture, has used this sense of nostalgia to their advantage. People of older age (15-25) can now keep their connection with Disney yet look great with expensive and exclusive clothing. the brand features Disney Characters but is also perceived as being fashionable and trendy. Coca Cola seems to revive itself all the time. I think it is the leader of brand revivals. No one is ever disappointed with the product. Once a Coca Cola fan, always a Coca Cola Fan. It continuously revives its campaign but never loses its connection with its consumers.
Brand revivals often times also occur with Fashion brands. Just as mentioned above the success of A&F does not compare to its invisibility as a brand in the 80s. Nowaday it is so sought after th eprices keep going up day by day.

I think Brand revivals are very important.. and can be an important tool in achieving success.

--AdAge--

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Annotations

1. Mary C Martin and Cara Okleshen Peters, “Exploring adolescent girls' identification of beauty types through consumer collages,” Journal of Fashion Marketing and Management 9, no. 4 (2005): 391, http://proquest.umi.com.libproxy.usc.edu/pqdweb?did=930054891&sid=1&Fmt=4&clientId=4676&RQT=309&VName=PQD (accessed February 20, 2007).


In the Journal of Fashion Marketing and Management, Mary Martin and Cara Okleshen Peters wrote and article titled, “Exploring adolescent girls’ identification of Beauty Types Through Consumer Collages.” This 2005 article, engages in a conversation about the impact commercial and popular culture has on their perceptions of valued beauty. The article begins by giving an overall analysis of advertising’s impact on females and the pressures that come along with it. They referece a number of studies dealing with this objective. For example in Posavac et al. women voiced high weight concerns when exposed to media as opposed to neutral images. Then the article outlines the “multidementional” aspect of beauty. Finally the study’s methodology is revealed. The case included females ages seven to thirteen from local or regional organizatons. These participants were give fourty seven photos of models and were asked to sort them out based on similarity. Then they were asked to select the picture they thought would represent their grown up self. The one they thought least represented them. Lastly the girls were asked to create a collage of each model and the way they would live, their style… etc. to do this they were supplied with a list of items. What they found were multiple distinctions between the “pretty” and the “ugly.” They also proved that “socially desirable traits” increased the likeability of the model. Lastly they concluded that today’s youth is more “mature, media-savvy, and culturally experienced than past generations.” This study revealed what girls considered to be beautiful and ugly and were able to differenciate between both categorical lifestyles.

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1. Joyce Y Karpay, “Critical Condition: Feminism at the Turn of the Century / Deadly Persuasion: Why Women and Girls Must Fight the Addictive Power of Advertising,” NWSA Journal 13, no. 1 (Spring 2001): 189, http://proquest.umi.com.libproxy.usc.edu/pqdweb?did=71500707&sid=6&Fmt=3&clientId=4676&RQT=309&VName=PQD (accessed February 20, 2007).


"Critical Condition: Feminism and the Turn of the Century/ Deadly Persuasion: Why Women and Girl Must Fight the Addictive Power of Advertising," written in 2001 by Joyce Karpay was featured in the NWSA Journal. The article reviews the two books referenced in the title to illustrate the harsh truth about advertising's influence on society, specifically girls. The author outlines each book by summarizing some important points and interesting quotes. She informs her readers that one simply attacks the tobacco, food and alcohol industry, where as the other talks about the history of advertising's influence and applies complex theories to her analysis. The first book, written by Susan Gubar analyzes how women from different places, ethnicities or races have different experiences as a woman. Each one deals with different issues and comes to understand her role as a female as something completely different. According to Karapy, she also references her own Jewish Heritage and speaks of her struggles of coming o terms with the male authority. The second book however takes on a different approach. Kilbourne, targets the food, tobacco and alcohol indurtries and reveals how they have created what she refers to as the “toxic culture.” She suggests that these companies unintentionally target children, appeal to them and cause them to consume their products. For example, she backs up that information by saying that 90% of smokers start smoking before the age of 18. she concludes by saying that both books will “prove powerful resources for those teaching feminist issues,” because they are informative in that respect.

In Action

Advertisements play an important role in creating community, whether it be a national one created by “society making” media or a group specific one created by “segment making” media. Turow states that advertisements more than the church or the school “promote images about our place in society” (2). Words such as “society” or “community” are abstractions and change meanings depending on who it applies to. For example, in “society making” media a community may mean a neighborhood or the church community. However, to the new “segment making” media, community will mean a group of people with specific similar interests. For example, grunge, hip-hop or even Nick-at-Nite watchers can be considered a special interest community. Therefore, regardless of the decade or style, advertising has always constructed some form of community in society.
It is hard to tell what the future hold for the media and entertainment world. However, it is certain that change will occur at a rapid pace. Once the nuclear family and the geographical sense of a neighborhood was undone, our media took on a different position advocating individuality, human rights, equal opportunity for women and even recognized teens as an important consumer target. This was the beginning of segmentation. Nowadays we have further segmented these groups into Soap-housewives, Skaters, Fashionistas, and have even created segments such as Emos to represent a certain group of people. Although there are still larger segments that we belong to they do not attract us the same way as individualized groups do. For example a female can consider herself a “fashionista” but also be part of the “women 18-34” segment. However, her appeal to the first one cannot be matched by the insignificance of the second. Being a woman from the ages of 18-34 adds nothing to her own personality, being a “fashionista” on the other hand, tells a story about her. Once this desire for individuality dies off, more society making media will be prevalent. As one trend subsides another one rises, often times the opposite of the trend that faded.
Advertising’s main interest has always been to appeal to a specific audience and influence them by promoting products or ideas. As the audience has changed from generation to generation the style of advertising has also shifted. “Segment making” media has taken the spotlight away from “society making” media. I support Turow’s claim and believe that segment making media appeals to the individualized, technologically savvy generation and therefore makes the advertising society more efficient and profitable. The segmentation in our media has brought about a new meaning to people's lives by creating a set of values and attributes that they identify with. However, we must always be willing to hear even those messages that do not apply to our own particular stories. All messages have a voice to be heard. Therefore our ability to be open-minded will allow all voices in our media to be heard.

Literature Review

There was a time where advertisers aimed at appealing to the main stream, middle class family. “Society making” media strived to bring people closer together by “act[ing] out concerns and connections that people ought to share in the larger national community” (Turow 3). For example, one of Coca Cola’s 1943 advertisements focused on the notion of the “refreshing rest pause” (http://www.gono.com/museum2003/cocacola), also known as taking a break and drinking a coke. This message followed into the 50s with slogans like ”Thirst too, seeks quality” (http://www.gono.com/museum2003/cocacola). These ads focused on universal ideas that everyone could relate to. Everyone gets thirsty and everyone wants to take a break while working. Therefore, these ads were part of society making, where the message related to all and all related to the message. Their strategy was to highlight the importance of the nuclear family, the neighborhood and the country as a whole. However, as our free market economy began to flourish, advertisements cluttered the mainstream and made it impossible for an ad to reach its potential influence. Therefore, advertisers began to shift from a “society making” media to a “segment making” media. According to Turow, their aim “is to package individuals, or groups of people, in ways that make them useful targets for the advertisers of certain products, through certain types of media” (1). For example, Subway and Taco Bell are both considered fast food chains. However, Subway has created and attracted a more health conscious audience to target. Whereas, Taco Bell has attracted the “tastes good, so you feel good” audience. They have segmented the fast food eating population into the health-conscious and the taste-conscious. By having different groups of centralized targets, advertisers can mold their ads to specifically influence that group and therefore increase sales. In essence, “segment making” media has encouraged “small slices of society” to associate with one another, whereas “society making” media unidentify all those “slices” and encourage communication among the whole (Turow 3).
Through the new segment making media, mainstream conformity becomes obsolete. Different groups emerge and create an appealing environment through their selection of media, and the commodity signs they identify with. Turow supports this claim through three different mechanisms. First, new technology, such as cable, satellite, Tivo and the Internet allow people to select what type of media they want to be a part of. Viewers of any type of media are focused with whether or not the medium “reaches people like them, resonates with their personal beliefs and helps them chart their position in the larger world” (Turow 4). The television industry has made attempts to “search out and exploit differences between consumers,” by providing over 400 specialized channels (Turow 4). For example, Nickelodeon, MTV, Food Network or ESPN are all specialized channels that attract a certain type of people. Each group is attracted to a specific type of content, which makes it easier for advertisers to target a specific audience a certain way. Miller Lite can successfully reach their target audience (19-24 yr. old men) through their “Man Law” commercials on ESPN. They create a commodity sign that distinguishes their product with certain values that characterize and attract the right consumer, and alientate other demographics. Therefore, when these consumers buy the beer they also buy with it the label of the young male sports fanatic who hangs out with his buddies and watches sports – the real man.

The second mechanism points out that our media is becoming global, where people all over the world are being influenced by segment making media. People in Japan can be part of the same interest specific audience as those in America. Globalization is creating a broader audience that can be further segmented into smaller “slices”. For example, people watching ESPN sports in America can watch it in English, whereas those in Japan can watch it in Japanese. They are both sports fanatics but the media is altered to adhere to that specific group. Respectively advertisements can also be changed so that the ads we see in America appeal to us and those they see in Japan appeal to them on the same channel. This way differences are highlighted to the benefit of advertisers who want to appeal to a specific audience.
These new interest groups created out of our segmented media are known as the third mechanism, Niche markets. For example, users of social networking website have become an important niche market that advertisers are focusing on. As Abbey Klaassen of AdAge.com noted, there is some value in having a brand or product placed on a Myspace user’s page. Rex Briggs, CEO of Marketing Evolution further stated that real value is created when "I take the brand, put it on my profile page and then all the people would develop a deeper meaning for what [the brand] stands for because of where it stands in my own personal story” (adage.com). Social Networking Websites have not only created a new platform for advertising but also allow each user to inherit a brand. They make a choice to identify with the ad, which tells a story about them. This message is then translated to all their “friends” or “buddies”. These three mechanisms have paved the way for the growth of advertising companies and consumerism as a whole.
Although, many people like the transition from “society making media” to “segmented media”, this transition can result in negative consequences. “Segment making” media is beneficial because it strengthens individual identities and creates a comfortable setting for minorities and many other special interest groups. However, it has been said that each group exists in their own bubble as “self- Indulgent” individuals who are only interested with themselves and not the benefit of society as a whole. There has been a shift in society after the baby boomers, where conformity and the mainstream are no longer attractive or satisfying. Therefore, advertisers had to come up with something to attract the new generation. This generation is interested in being different and unique, and consequently interested in “segment making” media.
Segment-making media has created a new definition for “community,” however some people believe that this new trend has undone our sense of community and has limited our media absorption. Teressa Lezzi of Advertising Age stated that segmented media is “taken as an unalloyed good that we can receive only the messages we've already decided we want to see.” She suggests that people are limited to only the information they chose to receive in advance. I disagree because not only are all messages available to media viewers but also that people are not limited to only one niche, but can be part of multiple segmented groups. Today’s media does a great job of attracting people into certain lifestyles, appeals or other segments. When someone finds a certain message appealing, they automatically become susceptible to that message.
However, different messages are available if someone is interested in counter-messages. For example, even if someone hates watching MTV or does not find fashion magazines appealing, the information is still there. Diverse messages are always available almost simultaneously, whether they be different channels, different magazines or even websites. Therefore, the common belief that our segmented media is limiting our flow of information is invalid.